“Are these from Africa?
The woman in the frame store jolted me out of my own little world with that question. I had gone back to Haiti and a little tented art shop near the top of the IDP camp. My hands ran over the framed pictures marveling at how different they looked in frames. In the artist’s tent the pictures on raw canvas are pinned to rope and wood wherever there is space. I had chosen the ones I wanted to buy more than a month before I made the purchase. I finally bought two, one folk art painting of kids playing in the camp, and a larger black and white one, a loose interpretation of Fet Gede (a voodoo celebration I had witnessed). I was wondering if I had made a mistake in framing them after all. Did the frames box in the life of them? Did I like them better frayed around the edges and hung with small wires from rope?
“Your pictures. Are they from Africa?”
“Oh. No. They’re from Haiti. I knew the artists.”
“Why were you in Haiti?” (Always the next question.)
But my mind had stopped again on “I knew the artists.” I did know them. They made me a gift of a third painting before I left as a thank you for always bringing people by to see their shop. It seems my mind is always overloaded when the subject of my past three months comes up. Like every conversation opens a tiny hole through which tidal waves of words push to move through.
“I was working with a nonprofit down there for three months.”
“Wow. I have a friend who just got back from Columbia. She said it is awful down there. Truly awful. I imagine Haiti is the same way, with all the earthquakes and hurricanes they have experienced.” And I start to nod my head in agreement. These are such simple quick conversations, I never really want to go into it with people I meet like this. I never feel able to go into it anyway. Besides, she is actually very sweet and is not really looking for deeper information, just being friendly. But then she says the thing that cuts me so deep I have no idea how to respond.
“What is happening down in Haiti is not the work of our Lord; it is the work of the devil for sure. Makes me wonder what is going on down there for them to deserve that.” And, I know she is not really wondering at all. I know she has decided that this nation has brought this upon themselves with their “ungodly” behavior. I have heard this before, unfortunately.
I stumble through some bits of information about slave debt and the monumental task of financing infrastructure under the burden of those conditions. I tell her that the entire world was appalled by their revolt at the time so finding support was impossible. But this rings as hollow in my ears as it must ring in hers.
The truth is closer to a conversation I had with a well-studied international aid worker and friend in Haiti soon after I arrived. He told me there were so many versions of the “truth” in Haiti that there was no sense in placing much stock in any of them, that all we can do is move forward. But, when I am in back in the car, I cry. My failure to illuminate even a single aspect of Haiti’s worthiness and beauty to this misguided woman is becoming too familiar. And this time the failure comes too close on heels of seeing the faces of friends in the paintings and the memory of sitting on a small hill above the artist’s makeshift gallery watching them paint. I have failed my artist friends and Haiti. I sink into a funk that has become familiar to me ever since I returned home. I just don’t have the words, and that stings.
I met a woman once while working on a documentary shoot above the camp who told me about the days after the earthquake. She told me story after story. She told them to me as if they came unbidden. Like she had to tell them over and over. As if the telling would bring some sense to the world. As I drove home I remembered her story of the singing.
The dust had not even settled in Port au Prince. Aftershocks and trembles were still so common that people refused to sleep inside the buildings, afraid they too would become trapped or worse. Wails punctuated the shouting of people who were finding bodies. Unstable buildings still crashed along every street and in every neighborhood, keeping people wary of even the slightest crack around them. And there was weeping…always weeping. As she became accustomed to those noises, she began to hear singing. She followed the sound, looking for the source of the music. Eventually, she realized that it surrounded her. The people were singing. They were singing hymns. Pouring love, faith and prayers into valleys and hills surrounding Port au Prince. Thousands of voices, singing together. That moment gave her peace and hope. These people were not overcome. They still loved. They still believed. They still had faith.
Maybe I should have told her that story, instead of bringing up slave debts and old policies from governments long ago. That story does not contain the whole truth of Haiti, not by a long shot, but I have yet to find anything that comes as close as one simple story at a time.